The coronavirus is bringing about a boom in new radio stations

This feature was originally published by The Economist.

Quarantine FM
Anna-Rose Charleton runs Quarantine FM from her home in Dublin. Photo courtesy of Quarantine FM

April 17, 2020

MILLIONS OF PEOPLE in lockdown are finding diversion at the flick of a dial. According to Radiocentre, the industry body for commercial radio in Britain, local and national stations reported increases in daily listeners of between 15% and 75% in the second half of March. They’ve got competition. Radio stations offering information, entertainment and reassurance to listeners isolated at home have sprung up from Ireland to Syria, Italy to India. Informal and interactive, many are run by amateurs from their homes, with producers learning the ropes as they go.

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Looking for stories in ruins: Meet Beirut’s urban explorers

This feature was originally published by The National.

Mezher uses the torch on her phone to look through an old scrapbook full of cut-out photographs from vintage magazines
Jana Mezher examines an old scrapbook from the 1970s, left in an abandoned house in Beirut. Photo by India Stoughton for The National.

May 1, 2019

“I’m just afraid of rats and dead animals,” says 23-year-old Jana Mezher, flicking her long brown hair out of the way, as she bends down to inspect a battered schoolbook full of handwritten notes on the floor of an abandoned apartment in Beirut. A student at the Lebanese Academy of Fine Arts, Mezher is what’s known as an urbexer. She spends her spare time sneaking into abandoned buildings to excavate the forgotten stories within.

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Slave to Sirens: The fierce rise of Lebanon’s first all-female metal band

This feature was originally published by Revolver Magazine.

Photo by Richard Sammour, courtesy of Revolver Magazine

January 15, 2019

In a small, soundproof rehearsal room in the mountains just outside Beirut, Lebanon’s first all-female metal band, Slave to Sirens, is getting ready to make some noise. Shery Bechara and Lilas Mayassi, the five-piece’s lead and rhythm guitarists, respectively, unzip cases to reveal their V-shaped axes, and vocalist Maya Khairallah warms up with a practice growl, the raw sound ripping out of her small frame with startling volume. Bassist Alma Doumani is tuning up her instrument while drummer Tatyana Boughaba shakes her thick, waist-length hair out of the way, adjusts her leather jacket and gives her sticks a twirl.

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Who owns an idea?

This piece was originally published by The Economist.

Photo courtesy of Twentieth Century Fox via The Economist

May 28, 2018

THE SAME basic plotlines form the basis for thousands of stories. A joke has it that there are only two plots: a stranger arrives, or a man goes on a journey. Ursula Le Guin’s “A Wizard of Earthsea” and J. K. Rowling’s “Harry Potter” series both feature a young orphan boy who discovers he has magical powers, attends a wizarding school and defeats an evil adversary, but no one would argue that they tell the same story. (Much the same could be said of Luke Skywalker.) Several recent lawsuits regarding alleged copyright infringements raise an important question. When it comes to an overlap of theme, plot or character, how close is too close?

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Gay and women’s rights are remarkably a part of Lebanon’s elections

This piece was originally published by The Economist.

Photo courtesy of AFP via The Economist

May 3, 2018

Decriminalising homosexuality, abolishing child marriage, improving women’s rights and introducing secular laws. These are just some of the issues that are cropping up as a new Lebanese generation votes for the first time on May 6th. The last election was in 2009—when the iPhone was two years old and Barack Obama was six months into office.

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Explosive art in Beirut explores power of cultural identity

This piece was originally published by Al-Monitor

Katya Traboulsi Installation SB-19.jpg
Photo courtesy of Saleh Barakat Gallery

March 16, 2018

“When you have kids, you live in constant fear of the future,” says Katya Traboulsi, seated in the spacious underground exhibition hall of the Saleh Barakat Gallery in Beirut. Behind her are 47 sculptures. Each is made from different materials and decorated in a unique style, but all of them share the same basic shape: They are modeled on the bombshells that razed swaths of Beirut’s urban fabric to the ground during the horrific civil war that formed the backdrop to Traboulsi’s teenage years.

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The Partition Museum: Opening up about the pain

This piece was originally published by The National.

Phulkari coat & briefcase, and water pot
A traditional embroidered pulkhari coat and a water pot carried by a family fleeing Pakistan. Photo courtesy of the Partition Museum

January 11, 2018

In July 1947, British lawyer Cyril Radcliffe was ordered to travel to India, which at that time was under colonial rule. After two decades of increasingly violent struggle, India had won its independence but amid rising calls for a Muslim state, the British agreed that the territory would be divided, keeping India primarily for the Hindus and Sikhs and also creating Pakistan, an independent Muslim country.

Radcliffe, who had never visited India before, had one month to decide where the line between the two countries should be drawn. When his decision was made public on August 17, millions found themselves on the wrong side of the border.

There was a bloodbath. While disputed, it was estimated that more than a million people were massacred and between 12 and 18 million displaced in what is thought to be the largest mass migration of all time.

Now, at the world’s first museum dedicated to exploring the history of Partition, an entire gallery offers insights into Radcliffe’s thought process. His decision was ultimately made by drawing a line on a map – he had never visited the places involved.

For decades, survivors of Partition were surrounded by a “veil of silence”, explains Mallika Ahluwalia, the Partition Museum’s chief executive, co-founder and curator. But in recent years, several cultural and story-driven projects have started to shed light on their memories and experiences.

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