This story was originally published in The Outpost.
“To become a great writer – regardless of which Arab country one is in – one must be truthful; to be truthful, one must be free; and to be free, one must be alive; yet to be alive, one must hold one’s tongue!” – Syrian poet, dramatist and radio journalist Muhammad al-Maghut
In the Arab world, words are used as weapons. First occupied by colonial powers then presided over by authoritarian rulers, in many countries in the region literature has become a battleground between the state and those seeking to voice a perspective that challenges the status quo. Novels, stories and poems have been both exploited by the state as a vessel for spreading propaganda and feared as a means of smuggling subversive messages to the public. Continue reading