Slave to Sirens: The fierce rise of Lebanon’s first all-female metal band

This feature was originally published by Revolver Magazine.

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Photo by Richard Sammour, courtesy of Revolver Magazine

January 15, 2019

In a small, soundproof rehearsal room in the mountains just outside Beirut, Lebanon’s first all-female metal band, Slave to Sirens, is getting ready to make some noise. Shery Bechara and Lilas Mayassi, the five-piece’s lead and rhythm guitarists, respectively, unzip cases to reveal their V-shaped axes, and vocalist Maya Khairallah warms up with a practice growl, the raw sound ripping out of her small frame with startling volume. Bassist Alma Doumani is tuning up her instrument while drummer Tatyana Boughaba shakes her thick, waist-length hair out of the way, adjusts her leather jacket and gives her sticks a twirl.

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The War on Words

This story was originally published in The Outpost.

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Haddad was invited to sign English copies of her book at the Emirates Literature Festival, even though the Arabic version is banned in the UAE.

“To become a great writer – regardless of which Arab country one is in – one must be truthful; to be truthful, one must be free; and to be free, one must be alive; yet to be alive, one must hold one’s tongue!” – Syrian poet, dramatist and radio journalist Muhammad al-Maghut

In the Arab world, words are used as weapons. First occupied by colonial powers then presided over by authoritarian rulers, in many countries in the region literature has become a battleground between the state and those seeking to voice a perspective that challenges the status quo. Novels, stories and poems have been both exploited by the state as a vessel for spreading propaganda and feared as a means of smuggling subversive messages to the public. Continue reading